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Book review: Yvon’s Paris by Robert Stevens
The core
The photographer Pierre Yves-Petit, who called himself “Yvon,” wandered the streets of Paris between the world wars looking for the moment when the shifting light and clouds would perfectly reveal the city’s ephemeral, iconic beauty. The dramatic images of the city and its people that he made during those years would become the most popular postcards in France. They can still be bought today on Parisian quais and are eagerly sought by collectors.
Pierre Yves-Petit job and his love of the city, whose streets he often wandered early in the morning and late at night. In his photography he was able to seize the Paris highlights, the beauty of the streets and gardens in a beautiful blend of black, white and grey. As Yvon, he captured the essence of the city in his photographs, having published his work on photocards. His efforts met greet commercial success. Read the rest of this entry
Out now Lens Culture, volume 26: remarkable contemporary photography from around the world
Volume 26 of Lens Culture is online now. As always, it’s filled with a wonderful and eclectic mix of contemporary photography from around the globe.
Photographers whose work appears in this new issue include:
Pierre Torset, Charlie Ferguson, Tamas Paczai, Allen Ginsberg, Lennart Nilsson, Vee Speers, Marie Docher, Andrzej Mitura, Tony Ray-Jones, Massimiliano Clausi, Judit M. Horvath and Gyorgy Stalter, Jim Vecchi, Matt Lutton, Carolle Benitah, Michael Christopher Brown, Margaret M. de Lange, Franco Pagetti, Lucie and Simon, Marcos Lopez, Antonio Martinez, Annie Liebovitz, and Joel-Peter Witkin.
Plus you can enjoy a high-resolution slideshow of 40 preview picks from the
To be continued at
http://www.lensculture.com/webloglc/mt_files/archives/2010/06/volume-26.html
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Recommended: Fresh Fairs (2)
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Looking at the remarkable artefacts of Tamara Lichtenstein
Found at Tamara Lichtenstein « Art Sponge.
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Looking at the remarkable artefacts of Chauncey Hare

Protest Photographs.
Photographs and text by Chauncey Hare. Edited by Jack Steven.
Steidl / Steven Kasher Gallery, Gottingen, 2009. 224 pp., 170 tritone illustrations, 10x12½”.
- Todd Hido
- Jeff Ladd
- Jeff Mermelstein
- John Gossage
- Martin Parr
Chauncey Hare does not define himself as a photographer, but rather as an engineer, a family therapist and, above all, a protester. In his fast-paced introduction to this volume, Hare recounts a life devoted to protest. He describes his keen identification with the people whose homes he photographed throughout the late 60s and early 70s, and his refusal to betray them by selling his photography. He tells of his struggles to have his photographs accepted by the art world, and relates his abusive childhood, and the difficulties of his work life as an engineer at a major oil company and at the U.S. Environmental Protection Agency. Protest Photographs contains twice as many images as his two earlier books, Interior America (1977) and This Was Corporate America(1984).
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Watching Bint photoBooks on INTernet: Borinage 1959 Jeanloup Sieff Black Smoke Magnum Photography
Found at Bint photoBooks on INTernet: Borinage 1959 Jeanloup Sieff Black Smoke Magnum Photography.



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